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Fairy Light Nights   spacer        

Fairy Light Nights is a mixture of live recordings gleaned from various dates played in January and February 2000.If you, like me, have been waiting for a quality All About Eve live set to be released, you'll not be disappointed. The tracks include three that will be new to many fans.Forever and Bleed are two stunning tracks written by Marty during his solo career and Miss World was one of the first tracks Julianne wrote for Mice.

Fairy Light Nights Interview : With the release of the unplugged album Candytree catches up with Julianne in an online interview

Julianne: "We are looking at the acoustic album being ready for the first of the acoustic dates we are going to play. We have a working title of 'Fairy Light Nights' which anyone who was there will understand! Andy and I will finish compiling the acoustic tracks this weekend and they will be in the hands of Almafame [the record company] on Monday. Then it's a race against time!

There were songs we really wanted to include, but, the quality was poor or we made a mistake or whatever..... Volume Two [see below] will have MORE songs on it and will certainly plug the gaps that are gaping." Fairy Light Nights is released by Almafame and distributed by Pinnacle Records (catalogue number YEAAH 8) Track Listing :

What kind of fool.
In the clouds.
Forever.
Share it with me.
Will I start to bleed.
Miss world.
Martha's harbour.
Shelter from the rain.
Are you lonely.
Appletree man.

In January of this year, three members of All About Eve took the brave decision to step out in to the unknown. They deciced to strip their songs down to the basics and so armed with a handfull of acoustic guitars and a bass the acoustic tour was born. It soon became obvious that this style whilst not alien to the likes of Martha's Harbour, was both suiting the songs and the audience.

And now we have Fairy Light Nights - live acoustic. The atmosphere of the tour has been captured beautifully and some of Marty and Andy's playing is a delight.And Julianne's vocals, her voice hasn't waned with absence. The songs themselves, whilst I'm sure most people could argue a case for any particular track the band seem to have kept it short and sweet (44mins) and managed to include two of Marty's solo tracks (Will I Start to Bleed and Forever, fast turning in to my personal favourite on the album) and Miss World from Julianne's all to short lived Mice venture (though it's a pity a full version of the song couldn't be used).

Other highlights to look out for are a very atmospheric In The Clouds , Marty's solos on Shelter From The Rain and some banter from a band so obviously enjoying themselves to the full. If you went to the gigs, buy it. If you didn't go to the gigs, buy it. You won't be disappointed.

Fairy Light Nights II

If all goes well the forthcoming live album it may open up the potential for more in the near future ....
Julianne: "Well, the vague plan is that we record the next run of shows, where we will be playing different songs to those we played earlier this year (there will be some overlap on the live shows, but, it will be a different set-list). So, if Volume One is a success, there will follow a Volume Two!


Record Collector

Fairy Light Nights - Reviewed
YEAAHH! 8 (44:24)

As hinted at in the self-deprecatory sleevenotes, straight out of the `where are they now?' file comes this charming live souvenir of All About Eve's recent winter acoustic tour. And a suitably wintry, acoustic affair it is, all muted melodies, minor key guitars and understated basslines

Julianne Regan's side-line as Cropredy's fave Sandy Denny substitute seems to have taken her over, as there's more than a hint of Denny in songs like "What Kind Of Fool?" and "Will I Start To Bleed?" That's no bad thing in itself except that, as on Sandy's otherwise superb solo albums, the air of laid-back melancholy can become overwhelming after a few songs, and you long for something a bit, well, tougher. Nevertheless, there's some superb material here, not least the nautical lament of "Martha's Harbour" wherein the resigned vocals and minor-key fingerpicking combine to form the perfect air of Nick Drake-esque bedsit angst.

Steve Rippon


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